There are three sections below -- the
first
contains a listing, along with
mp3-encoded versions when possible, of most of the
music 'pieces' I have done since returning to graduate school
in 1983; the
second
has links to algorthmic/interactive music applications
I have written; the
third
is a set of links to earlier music work I had done in Indiana back in
the Olden Days. One big segment missing is some of the early improvisational
music I did. Such is the nature of that
particular beast, I suppose. There are a few recordings available in the
Open Space
cassette series (they may be out-of-print now). I was an early producer
of the Open Space recordings. Most of that improvisational music
was done just for the moment, however. Life can be fun!
Within each section, the listings are generally chronological, starting
with the most recent material. I thought about doing some kind of
"aesthetic" organization, but I'm just not that kinda guy. So the
pieces are all semi-jumbled, hopefully this will make for interesting
listening. I'm sure that I have missed pieces,
probably because a) I didn't have a good recording, b) I forgot about
the piece, or c) it was just too darned embarassing to put on-line.
I hope you enjoy the music!
Additional note: Probably the largest projects I've been doing lately
are my three "book" applications:
Although the PGT web site doesn't link in all the material we've done,
there is a lot of music there. It's on-going, with new music
being added as we do it. UPDATE: I'm also using the PGT site to
stash additional improvisitional work done with 'extended' PGT ensembles,
PGT+Darwin Grosse, PGT+Dan Trueman, etc. And also combinations with people
like me and
Karl Fury, or just me and Terry, or me and Gregory alone. Essentialy the
"PGT" site is the link-page for the improvisational laptop work in general
I've been doing.
Big Sabbatical Project! You might notice that there
isn't much straightahead
music or software listed for 2018-2019. I was on sabbatical, living in our
new home on Whidbey Island, and the Big Sabbatical Project was to integrate
RTcmix into the
Unity
VR/AR/XR development environment. At present, the project I did using
this framework isn't finished, but here is a link to the 'beta'
version:
live/improvised music, done with Terry Pender and Gregory Taylor (hence the "PGT"); two laptops and a mandolin
the PGT web site     a lot of music, too much to list individually here -- see also the mando::summer listing just below this
additional commentary
My response to Gregory Taylor's ent::run
piece that he sent me. This was the first of the 'gregmentary' (commentary)
pieces I did. gresponse2 was done almost immediately afterwards.
I wasn't sure if I should put these up, but I figured what the heck.
They are recordings of some of my happy little
ambient apps
in action. Malcolm Goodman asked me for a CD with these on them,
so I simply started them up and recorded 10-minute passages of
each one. The applications themselves run for hours and hours...
There are a few minor glitches in some of these; my recording technique
wasn't the best.
ambishape.mp3 -- generated from the
ambishape app
        10' 34" -- 12.7 Mbytes
bookcerpt.mp3 -- an excerpt of the music in Chapter 2 of
My Music Book         10' 31" -- 12.7 Mbytes
crudelooch.mp3 -- a reproduction of the first
looching application
        10' 12" -- 12.3 Mbytes
jlooch.mp3 -- an excerpt from the JSyn
jlooch application
        10' 32" -- 12.7 Mbytes
mlooch.mp3 -- an excerpt from the Max/MSP
mlooch application
        10' 40" -- 12.8 Mbytes
newlooch1.mp3 -- realized by altering the [basiclooch] demo patch in the Max/MSP
[rtcmix~] object help-file
        11' 11" -- 13.5 Mbytes
newlooch2.mp3 -- realized by altering the [basiclooch] demo patch in the Max/MSP
[rtcmix~] object help-file
        10' 48" -- 13.0 Mbytes
newlooch3.mp3 -- realized by altering the [basiclooch] demo patch in the Max/MSP
[rtcmix~] object help-file
        10' 41" -- 12.8 Mbytes
These are standalone applications intended to generate music.
Some work well, others probably don't. Often I used these to
try new programming approaches, etc. But I also like the sounds.
My Places (beta)   [2019/2022]
     
Windows
Macintosh
This was an SGI/RTcmix application I wrote as a very basic model of
Fred Lerdahl's pitch-space theories. It has an OpenGL-rendered set of
six diatonic pitches, with sound generated based on probabilities determined
by how "close" the user was to each pitch. I used to automate it and just
let the pitches fly around, very nice relaxing sounds...
An application for the NeXT MusicKit; I don't think it was ever ported
to the
contemporary MusicKit.
It had some fun DisplayPostScript code doing star-like things.
ChaosaKitty ("Chaos") was the name of our cat.
Looching   [1990]
     
NeXT,
( Windows
Macintosh
Unix), under the
contemporary MusicKit
These are links to pages containing music from my "Hoosier punk"
days, roughly 1978 -- 1982. This is only a small representation, for
a lot of the work I did was collaborative or producer-type work. I didn't
feel comfortable deciding on my own to make many of these
pieces publicly-available, because other creators were involved. In fact,
most of these were done with other musicians, and if any of you
(hey there!) run across these and would
prefer I take them off, please let me know! I have kept password-protection
in place, but the login ids and passwords are listed below.
Most of this work was done at
Zounds Productions,
a recording studio and production facility I co-owned with
Rick Thomas. A few summers ago, Dave Fulton (one of my primary
partners-in-crime for these pieces) and I catalogued and digitized
a number of the tapes we had in our posession, but there are still
quite a few left to do.
Boy this music was fun to do, even though life back then was pretty
random sometimes. The ordering of the links below is pretty haphazard.
The 3-O Band (Observers Observing Observables)
Mainly this "band" was Dave Fulton and I messing around in the studio.
We would also draft whoever was around to play on the tapes. Mike Behnke
wrote most of the words.
web site
     login name: wood
     password: weaves
X-S (XAX/Science)
This was pretty much entirely Dave Fulton and myself in the studio. John
Koss played the drums for Under the Boardwalk. The sampled
tape-loops were done the Old Fashioned Way (no 'samplers' existed back
then). We really liked the fragment of Nancy Sinatra's voice in the
loop used for These Boots Are Made For Walkin'.
web site
     login name: xax
     password: science
We're Jimmy Hoffa
4-piece band
web site
     login name: organized
     password: labor
The Last Four(5) Digits
5-piece band, formed after The Last Four(4) Digits split up
web site
     login name: five
     password: digits
The Christian Lepers from India
A Rockin' Big Power Trio!
web site
     login name: healing
     password: powers
Still missing: some random pieces I did on my own in our studio, plus
a lot of earlier tapes I made as an 'experimental' duo called
Accept the Bop with Greg Horn. Plus all the improvised and live
stuff mentioned earlier.