| week 1 (1/21) | |
| Introduction/Overview <basic organizational meeting> |
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| week 2 (1/28) | |
| Theory/History 1 <overview of historical precedents, early aesthetic speculations, initial experimentation in joining image and sound> |
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| week 3 (2/4) | |
| Theory/History 2 <more recent and direct mergings of sound and image, focused particularly upon film studies> |
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| week 4 (2/11) | |
| Theory/History 3 <contemporary art employing sound/image, installations, interactive video, network applications, recent film developments> |
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| week 5 (2/18) | |
| Sound with Image 1 <contemporary tools for melding audio and video, time considerations, aesthetic approaches, particular applications> |
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| week 6 (2/25) | |
| Sound with Image 2 <using image data to direct audio realization, interpretive schema, data-mapping, "auralization" techniques> |
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| week 7 (3/4) | |
| STUDENT PROPOSALS <each student/student-team outlines proposed class project> |
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| week 8 (3/11) | |
| Sound with Image 3 <using audio to drive image creation and production, current tools/techniques, overview of recent performance work> |
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| week 9 (3/25) | |
| Sound with Image 4 <merged sound/image installations, site-specific works and concerns, imbedding interactivity> |
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| week 10 (4/1) | |
| Sound/Image in Context <new trajectories, developing technologies and artistic impact, future perspectives and aesthetics> |
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| week 11 (4/8) | |
| GUEST LECTURER 1 <alternative perspectives on the use of sound and image> |
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| week 12 (4/15) | |
| GUEST LECTURER 2 <alternative perspectives on the use of sound and image> |
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| weeks 13/14 (4/22, 4/29) | |
| PROJECT PRESENTATIONS and CRITIQUE | |