BY XENAKIS

"La crise de la musique sérielle" in Gravesaner Blätter 1 (1955): 2-4.

"Le Corbusier’s ‘Elektronisches Gedicht’ under der Philips Pavilion" in Gravesaner Blätter 9 (1957): 43.

"Notes sur un ‘geste électronique’" in ReM 244 (1959): 25.

"Concerning Le Corbusier" in Gravesaner Blätter 27-8 (1966): 8.

Formalized Music: Thought and Mathematics in Composition. Bloomington: Indiana University Press,1971. (first published in Paris, 1963)

Music. Architecture. Translated by Sharon Kanach. New York: Pendragon Press (forthcoming). (first published in Tournai, Belgium, 1971).

Arts/Sciences: Alloys. Translated by Sharon Kanach. New York: Pendragon Press, 1985. (first published in Tournai, Belgium, 1979).

"Xenakis on Xenakis" in Perspectives of New Music 25/1-2 (Winter-Summer 1987): 16-63.

"Concerning Time" in Perspectives of New Music 27/1 (Winter 1989): 84-92.

Kéleütha: Écrits. Preface and notes by Benoît Gibson. Paris: L'Arche, 1994.

Musique et originalité. Paris: Séguier, 1996.

"Tutorial Article: Determinacy and Indeterminacy" in Organized Sound 1/3 (December 1996): 143-55.

Music Composition Treks. Cambridge, MA: MIT Press (forthcoming).

ON XENAKIS

Baltensperger, André. Iannis Xenakis und die Stochastische Musik: Komposition im Spannungsfeld von Architektur und Mathematik. Zurich: Paul Haupt, 1995.

Bois, Mario, ed. Iannis Xenakis–The Man and his Music. London: Boosey & Hawkes, 1967. (first published in Paris, 1966)

Butchers, C. "The Random Arts: Xenakis, Mathematics and Music" in Tempo 85 (1968): 2-5.

Charles, Daniel. La pensée de Xenakis. Paris: Boosey & Hawkes, 1968.

Delalande, François. "Il faut être constamment un immigré": Entretiens avec Xenakis. Paris: Buchet/Chastel, 1997.

DeLio, Thomas. "Iannis Xenakis’s Nomos Alpha: The Dialectics of Structure and Materials" in Journal of Music Theory 24/1 (Spring 1980): 63.

________. "Structure and Strategy: Iannis Xenakis' Linaia-Agon." Doctoral Dissertation. University of Maryland, 1985.

Dennis, B. "Xenakis’s Terrtektorh and Eonta" in Tempo 82 (1967): 27-9.

Di Scipio, Agostino. "From Concret PH to Gendy301: Compositional models in the electronic music by Xenakis" in Sonus: Materiali per la musical contemporanea 7/1-3 (December 1995): 61-92. (in Italian)

________. "The Problem of Second Order Sonorities in Xenakis’s Electroacoustic Music" in Organized Sound 2/3 (December 1997): 165-78.

`Dossier Iannis Xenakis.' Entretemps no. 6 (1988): 57-143.

Dufallo, Richard. "Interview with Xenakis" in Trackings. New York: Oxford University Press, 1989.

Durney, D. and Dominique Jameux. "Rencontres avec Iannis Xenakis" in Musique en jeu 1 (1970): 46.

Eichert, Randolph. Iannis Xenakis und die mathematische Grundlagenforschung. Sarrebruck: Pfau

Verlag, 1994.

Emmerson, S. "Xenakis" in Music and Musicians 24/9 (1976): 24.

Fleuret, Maurice. "Xenakis: A Music for the Future" in Music and Musicians 236 (1972).

________. Xenakis. Paris, 1973.

________. Xenakis 78. Paris, 1978.

________. Iannis Xenakis. Paris, 1992.

Flint, Ellen Rennie. "An Investigation of Real Time as Evidenced by the Structural and Formal Multiplicities in Iannis Xenakis' ‘Psappha'." Doctoral Dissertation. University of Maryland College Park, 1989.

________. "Metabole, Arborescences, and the Reconstruction of Time in Iannis Xenakis’s Psappha" in Contemporary Music Review 7/2 (1993): 221-48.

Gerhards, Hugues, ed. Regards sur Iannis Xenakis. Preface by Maurice Fleuret. Paris: Editions Stock, 1981.

Gibson, Benoît. "Xenakis: Organisation de l'espace, techniques d'écriture, orchestration, 1954-1962." DEA Thesis. Paris: IRCAM, 1992.

Griffiths, Paul. "Xenakis: Logic and Disorder" in Musical Times 66 (1975): 329.

Harley, James. "Still Rich & Strange" in Musical Times 137/1845 (November 1996): 9-15.

________. The Music of Iannis Xenakis. Contemporary Music Studies. London: Harwood Academic Press (forthcoming).

Harley, Maria Anna. "Spatial Sound Movement in the Instrumental Music of Iannis Xenakis" in Journal of

New Music Research 23/3 (September 1994): 291.

________, ed. "Swiatla Xenakisa." Muzyka 43/3 (1998).

Hill, Peter. "Xenakis and the Performer" in Tempo 112 (1975): 17-22.

Hoffmann, Peter. "Zelluläre Automaten als Kompositorische Modelle" in Arbeitsprozesse in Physik und Musik. Frankfurt am Main: Peter Lang, 1993.

________. Amalgam aus Kunst und Wissenschaft: Naturwissenschaftliches Denken im Werk von Iannis

Xenakis. Frankfurt am Main: Peter Lang, 1994.

Iliescu, Mihu. "Musical et extramusical: elements de pensée spatiale dans l'oeuvre de Iannis Xenakis." Doctoral Dissertation. Paris: Université de Paris I, 1996.

Kassler, J.C. "Report from London: Cybernetic Serendipity" in CMc 7 (1968): 47.

Lachartre, N. "Les musiques artificielles" in Diagrammes du monde 146 (1969): 1.

Lebens, James C. "An analysis of `Keren' for solo trombone by Iannis Xenakis: Randomly generated music within a symmetrical framework and performance considerations." Doctoral Thesis. Seattle: University of Washington, 1993.

Lohner, Henning. "Interview with Iannis Xenakis" in Computer Music Journal 10/4 (Winter 1986): 50-5.

Lukes, Roberta Dorothy. "The `Poème électronique' of Edgard Varèse." Doctoral Dissertation. Cambridge: Harvard University, 1996.

Mâche, F-B. "The Hellenism of Xenakis" in Contemporary Music Review 8/1 (1993): 197-211.

Malt, Mikhail. Trois aspects de formalisation musicale dans `Achorripsis' de Iannis Xenakis. DEA Thesis. Paris: IRCAM, 1991.

Matossian, Nouritza. Xenakis. New York: Taplinger, 1986. (first published in Paris, 1981)

Metzger, Heinz-Klaus and Rainer Riehn, eds. "Xenakis." Musik-Konzepte 54-5. Munich, 1987.

Montague, Eugene. The limits of logic: Structure and aesthetics in Xenakis' ‘Herma’. Master's Thesis. Amherst: University of Massachusetts, 1995.

Naud, G. "Aperçus d’une analyse sémiologique de Nomos alpha" in Musique en jeu 17 (1975): 63.

Nelson, Peter. "The UPIC System as an Instrument of Learning" in Organized Sound 2/1 (April 1997): 35-41.

Orcalli, Angelo. "Le hasard se calcule": Una testi de Iannis Xenakis. Padua: Imprimitur, 1990.

Papadatos, Joseph. Werkanalyse zu Iannis Xenakis' `Jonchaies'. Examensarbeit. Düsseldorf: Staatliche Hochschule für Musik, 1985.

Perrot, M. "Entretien avec Iannis Xenakis" in ReM 265-6 (1969): 61.

Provost, Serge, ed. `Espace Xenakis.' Circuit 5/2 (1994).

Reish, Gregory N. "Performance Practice and Contemporary Music: A Look at Eonta by Iannis Xenakis" in Music Research Forum 13 (1998): 36-55.

Restagno, Enzo, ed. Xenakis. Turin: Edizioni di Torino (Biblioteca di Cultura Musicale), 1988.

Revault d'Allonnes, Olivier. Xenakis: Les Polytopes. Paris: Balland, 1975.

Robindoré, Brigette. "Eskhaté Ereuna: Extending the Limits of Musical Thought–Comments On and By Iannis Xenakis" in Computer Music Journal 20/4 (Winter 1996): 11-16.

Rostand, C. Xenakis. Paris, 1972.

Ruohomäki, J. Ylesiä pürteitä Iannis Xenakisen musiikillisesta ajattulesta metodeista ja teoksista. Helsinki: University of Helsinki, 1977.

Russcol, Herbert. "Iannis Xenakis" in The Liberation of Sound: An Introduction to Electronic Music. Englewood Cliffs, NJ: Prentice Hall, 1972.

Samuel, Claude, ed. Iannis Xenakis: Panorama de L’Art Musical Contemporain. Paris: Gallimard, N.R.F., Le point du jour, 1962.

Sato, M. Iannis Xenakis: Sugaku ni yori sakkyoku. Tokyo: University of Tokyo, 1978.

Serra, Marie-Helene. "Stochastic Composition and Stochastic Timbre: Gendy3 by Iannis Xenakis" in Perspectives of New Music 31/1 (Winter 1993): 236.

Serres, Michel. "Musique et bruit de fond: Iannis Xenakis, Pithoprakta" in Critique 261 (February 1969).

Sevrette, Daniel. Etude statistique sur `Herma' de Xenakis. Paris: Schola Cantorum, 1973.

Schmidt, Christoph. Komposition und Spiel: Zu Iannis Xenakis. Berliner Musik Studien 4. Cologne: Verlag Schewe, 1994.

Smith, Jeffrey B. "Parallels in the development of electronic and percussion music and an examination of performance problems in Lejaren Hiller's `Machine Music' for piano, percussion and two-channel tape recorder with three recitals of selected works of Rolnick, Kessner, Xenakis, Winson, Niimi, and others." Doctoral Thesis. Denton: University of North Texas, 1992.

Solomos, Makis. "A propos des premières oeuvres (1953-69) de Iannis Xenakis: Pour une approche historique de l'émergence du phénomène du son." Doctoral Dissertation. Paris: Université de Paris IV, 1993.

________. Iannis Xenakis. Mercuès: P.O. Editions, 1996.

________. Xenakis: Annotated Bibliography. (forthcoming).

Solomos, Makis and Marianne Lyon, eds. Colloque Xenakis. (forthcoming).

Souster, Tim. "Xenakis’s Nuits" in Tempo 85 (1968): 5-18.

Squibbs, Ronald. "An analytical approach to recent music of Iannis Xenakis." Doctoral Dissertation. Yale University, 1996.

Sutherland, Roger. "Xenakis: The Instrumental Works" and "Xenakis: The Electronic Works" in New Perspectives in Music. London: Sun Tavern Fields, 1994.

Sward, Rosalie la Grow. "An Examination of the Mathematical Systems Used in Selected Compositions of Milton Babbitt and Iannis Xenakis." Doctoral Dissertation. Evanston: Northwestern University, 1981.

Tric, Olivier. "Le processus de conception en architecture: O Point de vue monotopique - un architecte regarde les polytopes." DEA Thesis. Université de Rennes, 1992.

Uno, Yayoi. "The roles of compositional aim, syntax, and design in the assessment of musical styles: analyses of piano music by Pierre Boulez, John Cage, Milton Babbitt, and Ianns Xenakis circa 1950." Doctoral Dissertation. Rochester: Eastman School of Music, 1994.

Varga, Bálint András. Conversations with Iannis Xenakis. London: Faber & Faber, 1996.

Various authors. `Iannis Xenakis.' MusikTexte 13 (1986): 17-60.

Various authors. `Xenakis.' L'Arc 51 (Aix-en-Provence, 1972; reprinted 1990).

Wardell, Ziaoman Zhang. "An examination of selected contemporary works composed by means of numbers (Bela Bartók, Olivier Messiaen, Alban Berg, Iannis Xenakis)." Doctoral Thesis. Claremont: The Claremont Graduate University, 1996.

Yoken, D.W. Iannis Xenakis' `Psappha': A performance analysis. La Jolla: University of California at San Diego, 1985.

________. "Interview with Iannis Xenakis" in Percussive Notes 28/3 (Spring 1990): 53-8.

Zaplitny, Michael. "Conversation with Iannis Xenakis" in Perspectives of New Music 14/1 (Fall-Winter 1975): 86.

Zeller, Hans Rudolf. "Zum Beispiel Iannis Xenakis" in Melos 36 (1969): 410.