POSTERS SCHEDULE
The Posters will be presented in single track sessions in a special booth at the Exhibition Hall, which is at the first floor (one floor below the Conference Hall and Morning Concerts Hall) of the Conference Building (Pavillion 8, HELLEXPO). All Posters will be given a maximum of 1 hour for presentation and 1/2 hour for preparation and setup. The times given below refer to the starting time of each Poster. All authors should be present at the Poster booth half an hour earlier to prepare and setup their Poster presentation. (For example, if your Poster is scheduled for 06:00, you should be at the Poster booth by 05:30. You are allowed to prepare and set up your Poster Presentation within half an hour from 05:30 to 06:00. From 06:00 on you can present your material at the Poster booth and by 07:00 you should have finished in order for the next author to start preparing). The schedule is as follows:
Thursday 25th
Analysis/Synthesis I
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12:00 |
Wavetable Acceleration Using Intermediate Buffering and Loop Trimming STEVEN D. TRAUTMANN |
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13:30 |
Synthesis of the trumpet tone based on physical models RICCARDO DI FEDERICO, GIANPAOLO BORIN |
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15:00 |
Influence of sensory interactions between vision and audition on the perceptual characterization of room acoustics CRYSANTHY NATHANAEL, CATHERINE LAVANDIER, JEAN-DOMINIQUE POLACK, OLIVIER WARUSFEL |
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16:30 |
The Diphone Program: New Features, New Synthesis Methods and Experience of Musical Use XAVIER RODET, ADRIEN LEFEVRE |
Friday 26th
Music and the Brain, Artificial Intelligence, Machine Recognition of Music
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10:00 |
Generating Musical Patterns Using Mutually Inhibited Artificial Neurons PAULI LAINE |
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11:30 |
Structural Recognition of Music by Pattern Matching YUZURU HIRAGA |
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13:00 |
A Neural Organist improvising baroque-style melodic variations DOMINIK HORNEL, PETER DEGENHARDT |
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14:30 |
A New connectionist Model for Associative Retrieval of Harmonic Tunes SEONG-WON YEO, MIN-UK HAN, CHONG-HO LEE |
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16:00 |
Influence of timbre, presence/absence of tonal hierarchy and musical training on the perception of musical tension and relaxation schemas. STELLA PARASKEVA, STEPHEN McADAMS |
Saturday 27th
Education and Network Issues
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10:30 |
Musical Informatics: Curriculum or a New Area of Musicology? YURI BEKHTIN |
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12:00 |
RMCP: Remote Music Control Protocol -- Design and Applications -- MASATAKA GOTO, RYO NEYAMA, YOICHI MURAOKA |
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13:30 |
Networking Music Education. WWW Applications in Music Teacher Training: a Praxial Perspective. LAURI VAKEVA, JUHA OJALA |
Sunday 28th
Analysis/Synthesis II
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10:30 |
Physical Modeling Simulation of the Ancient Greek Elgin Avloi KOSTAS TSAXALINAS, KATERINA TZEDAKI, PERRY R. COOK, STELIOS PSAROUDAKES, DIMITRIS KAMAROTOS, THANASSIS RIKAKIS |
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12:00 |
High-frequency compensation of low sample-rate audio files: A wavelet-based spectral excitation algorithm COREY I. CHENG |
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13:30 |
Applying Root-Locus Techniques to the Analysis of Coupled-Modes in Piano Strings TIMOTHY S. STILSON |
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15:00 |
Database of Challenging Musical Sounds for Evaluation and Refinement of Pitch Estimators ADRIAN FREED |
Monday 29th
Analysis/Synthesis III
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10:30 |
A Modal Distribution Study of Violin Vibrato MAUREEN MELLODY, GREGORY H. WAKEFIELD |
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12:00 |
Towards the identification of the noise source in the vocal tract - obtaining data from the electropalatograph. ALEX BAKALAKOS |
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13:30 |
A Frequency-Dependent Bilinear Time-Frequency Distribution for Improved Event Detection ANDREW STERIAN, GREGORY H. WAKEFIELD |
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15:00 |
The Metabone: An interactive sensory control mechanism for virtuoso trombone MARC ALEXANDER BROMWICH |
Tuesday 30th
RealTime Systems
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10:30 |
A Toolkit for Interactive Digital Art HARUHIRO KATAYOSE, HIROTSUGU SHIRAKABE, TSUTOMU KANAMORI, SEIJI INOKUCHI |
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12:00 |
Operating Systems Latency Measurement and Analysis for Sound Synthesis and Processing Applications ADRIAN FREED, AMAR CHAUDHARY, BRIAN DAVILA |
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13:30 |
A Realtime MIDI Library for an Inexpensive General-Purpose Microcontroller- Based Interactive Performance System COLBY N. LEIDER |
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15:00 |
Rhythmic Rendering ERIC LYON |