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International Computer Music Conference

September 25th-30th 1997

THESSALONIKI - GREECE

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PAPERS SCHEDULE

 

The papers and studio reports will be presented in single track sessions in Hall A, Pavillion 8, Congress Center N. Germanos, HELEXPO at the second floor of the Conference Building (building 8) of the International Fair. The schedule is as follows:


Jump to: September 25, 26, 27, 28, 29, 30

 

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Thursday 25th

Music and the Brain

 

12:00

Music and Emotion: the brain neglected side

ISABELLE PERETZ, LISE GAGNON, BERNARD BOUCHARD

12:30

Perspectives on the contributions of timbre to the perception of musical structure

STEPHEN MCADAMS

13:00

Rhythm and Contour in Music and Poetry

FRED LERDAHL

13:30

JONATHAN KRAMER

14:00

Psychophysiology of Musical Emotions

CAROL KRUMHANSL

14:30

Rhythmic Paradoxes and Illusions: A Musical Illustration

JEAN-CLAUDE RISSET

14:50

Preliminary results on spectral shape perception and discrimination of musical sounds by normal hearing subjects and cochlear implantees

THOMAS STAINSBY, HUGH J. McDERMOTT, COLETTE M. McKAY, GRAEME M. CLARK

15:10

"The synoptogenesis of the musical area of the temporal cortex of the human brain: an analysis of the fine structure of the "musical neurons".

STAVROS BALOYIANNIS

15:30

Modeling Piano Performance: Physics and Cognition of a Virtual Pianist

RICHARD PARNCUTT

16:00

Perception and Critique: Ecological Acoustics, Critical Theory and Music

ERIC CLARKE

16:30

Neural Coding of Tonal Harmony

MARC TRAMO

17:00

Converging Explorations in Cognitive Neuroscience of Music

JAMSHED BARUCHA

17:30

A Neural Network Model of Metric Perception and Cognition in the Audition of Functional Tonal Music.

JONATHAN BERGER, DAN GANG

17:50

Harmonizing Melodies in Real-Time: the Connectionist Approach

DAN GANG, DANIEL LEHMANN, NAFTALI WAGNER

18:10

Influence of Phase Effects on Roughness Modeling

DANIEL PRESSNITZER, STEPHEN McADAMS

 

 

 

 

 

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Friday 26th

Analysis/Synthesis I

 

10:00

Sinusoidal and Residual Decomposition and Residual Modeling of Musical Tones Using the QUASAR Signal Model.

YINONG DING, XIAOSHU QIAN

10:30

Statistical Modeling of Sound Aperiodicities

SHLOMO DUBNOV, XAVIER RODET

11:00

Analysis and Regularization of Inharmonic Sounds via Pitch-Synchronous Frequency Warped Wavelets.

GIANPAOLO EVANGELISTA, SERGIO CAVALIERE

11:20

About this Phasiness Business

JEAN LAROCHE, MARK DOLSON

 

Aesthetics and Social Issues

 

12:00

On Acoustic Ecology and "Integral Art"

THOMAS GERWIN

12:20

Towards a critical theory of (music) technology. Computer music and subversive rationalization

AGOSTINO DI SCIPIO

12:40

Impact of MIDI on Electroacoustic Art Music

ALEX LANE IGOUDIN

13:00

Computer Music Compositional Style Variation Between Genders

KAREN ELIOT-KAHN

13:20

Issues in Computer Music Aesthetics

PASCHALL DE PAOR

13:40

http://Web.La.Radia: Comments on the Social, Economic, and Political Aspects of Media Art and Art Technology

STEPHEN POPE

 

Studio Reports I

 

15:00

Music, Media and Technology at McGill University: Studio Report

BRUCE PENNYCOOK

15:20

The Current State of the International Digital ElectroAcoustic Music Archive (IDEAMA)

THOMAS GERWIN

15:40

DIEM - The Danish Institute of Electroacoustic Music: Studio Report

WAYNE SIEGEL

16:00

Studio Report of the Computer Music Lab of CNUCE/C.N.R.

LEONELLO TARABELLA

16:20

Computer Music in China: History, Current Situation and Projects

GONG ZHENXIONG, ZOU QINGYI, XU WENXUE

 

 

 

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Saturday 27th

Music Data Representation

 

10:00

The Downloadable Sounds Level 1 Specification

JAMES WRIGHT, THOMAS WHITE, TODOR FAY, DANIEL PETKEVICH

10:20

A Novel Representation for Rhythmic Structure

VIJAY IYER, JEFF BILMES, MATT WRIGHT, DAVID WESSEL

10:40

OpenSound Control: A New Protocol for Communicating with Sound Synthesizers

MATTHEW WRIGHT, ADRIAN FREED

11:00

Multimedia Environment for Sound Database System

HAI QI, TAICHI MURAMATSU, SHUJI HASHIMOTO

11:20

Composition of Data and Process Models: a Paralogical Approach to Human/Computer Interaction

MICHAEL HAMMAN

 

Music Analysis

 

12:00

Analysis-by-Synthesis of the Expressive Intentions of Music Performance

SERGIO CANAZZA, GIOVANNI DE POLI, ANTONIO RODA, ALVISE VIDOLIN

12:30

A Structural Analysis Tool for Expressive Performance

YUICHI UWABU, HARUHIRO KATAYOSE, SEIJI INOKUCHI

12:50

Classification in Music: A Computational Model for Paradigmatic Analysis

CHRISTINA ANAGNOSTOPOULOU, GERT WESTERMANN

13:10

Neural Net Architectures in Modeling Compositional Syntax: Prediction and perception of Continuity in Minimalist Works by Phillip Glass & Louis Andriessen

YAYOI UNO, MICHAEL C. MOZER

 

Performance Systems and Interfaces I

 

15:00

Two Highly Integrated Real-Time Music and Graphics Performance Systems

ROBERT ROWE, ERIC L. SINGER

15:30

A Gesture Interface Controlled by the Oral Cavity

NICOLA ORIO

15:50

TEMA: A Gesture Controlled Music Performance System

IOANNIS ZANNOS

16:10

Statistical Pattern Recognition for Prediction of Solo Piano Performance

CHRIS CHAFE

16:30

The Beast's Glove: The Tactile and the Digital in Computer Music

DOMINIQUE RICHARD

 

 

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Sunday 28th

Analysis/Synthesis II

 

10:00

Integrating Complementary Spectral Models in the Design of a Musical Synthesizer

XAVIER SERRA, JORDI BONADA, PERFECTO HERRERA, RAMON LOUREIRO

10:30

Modeling Methods for Sound Synthesis. Network Combinations and Complex Models for Physical Modeling: Applications to Modes Clustering

ERIC INCERTI

10:50

Transient Modeling Synthesis: a flexible analysis/synthesis tool for transient signals

TONY S. VERMA, SCOTT N. LEVINE, TERESA H.Y. MENG

11:10

Singing Voice Analysis and Synthesis System through Glottal Excited Formant Resonators

PIERO PIERUCCI, ANDREA PALADIN

 

Physical Modeling I

 

12:00

Physical Model of the Plucking Process in the Classical Guitar

GIUSEPPE CUZZUCOLI, VINCENZO LOMBARDO

12:30

Comparison of Real Trumpet Playing, Latex Model of Lips and Computer Model

CHRISTOPHE VERGEZ, XAVIER RODET

13:00

Synthesis of Transients in Guitar Sounds

CEM I. DURUOZ

13:20

On Searching the Model Parameters of Digital Waveguide Filters By Using Error Backpropagation Methods.

ALVIN W.Y. SU

13:40

Digital Waveguide Modeling of Flared Acoustic Tubes

MAARTEN VAN WALSTIJN, VESA VALIMAKI

14:00

Efficient and Parametric Reverberator for Room Acoustics Modeling

RIITTA VAANANEN, VESA VALIMAKI, JYRI HUOPANIEMI, MATTI KARJALAINEN

 

 

 

 

Compositional Systems and Workstations

 

15:00

An HTTP Interface to Common Music

HEINRICH TAUBE, TOBIAS KUNZE

15:20

Siren: Software for Music Composition and Performance in Squeak

STEPHEN POPE

15:40

A Visual Programming Environment for Composing Interactive Performance Systems

BERNHARD WAGNER

16:00

The New MARS Workstation

PAOLO ANDRENACCI, FABIO ARMANI, RENATO BESSEGATO, ANDREA PALADIN, PATRIZIO PISANI, ANGELO PRESTIGIACOMO, CLAUDIO ROSATI, SYLVIANE SAPIR, MAURO VETUSCHI

16:20

Real-Time Image and Video Processing in GEM

MARK DANKS

16:40

Pure Data

MILLER S. PUCKETTE

 

 

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Monday 29th

Studio Reports II

 

 

10:00

Introduction of Computer Music Studio of Sonology Department Kunitachi College of Music

TAKAYUKI RAI, YOSHIKO ANDO

10:20

Center for New Music and Audio Technologies (CNMAT): Studio Report

RICHARD ANDREWS

10:40

Studio F at the Czech Radio in Prague: Studio Report

LIBOR ZAJICEK

11:00

University of Limerick Computer Music Studio

PASCHALL DE PAOR

 

Physical Modeling II

 

12:00

Efficient models for reverberation and distance rendering in computer music and virtual audio reality

JEAN-MARC JOT

12:30

Multirate Extensions for Model-Based Synthesis of Plucked String Instruments

VESA VALIMAKI, TERO TOLONEN

12:50

Coupled Mode Synthesis

SCOTT A. VAN DUYNE

13:10

A Lossless, Click-Free, Pitchbend-able Delay Line Loop Interpolation Scheme

SCOTT A. VAN DUYNE, DAVID A. JAFFE, GREGORY PAT SCANDALIS, TIMOTHY S. STILSON

13:30

A Fractional Delay Application: Time-Varying Propagation Speed in Waveguides

STEPHAN TASSART, R. MSALLAM, PH. DEPALLE, S. DEQUIDT

13:50

Digital Waveguide Modeling of Woodwind Toneholes

GARY P. SCAVONE, JULIUS O. SMITH III

14:10

Nonlinear Commuted Synthesis of Bowed Strings

JULIUS O. SMITH III

 

Networks and Education

 

15:00

DSP - For Children

JORAN RUDI

15:20

Sample Rate Synchronization across an ATM Network

GEORGE M. ROBERTSON, DEREK McAULEY

15:40

Using Java to Stream Audio over ATM

STEPHEN MALLOCH, STEPHEN ARNOLD, TORSTEN PFLICKE

16:00

Distributed Music Rehearsal

DIMITRI KONSTANTAS, YANN ORLAREY, SIMON GIBBS, OLIVIER CARBONEL

16:20

TransMIDI: A Systm for MIDI SessionS Over the Network Using Transis

DAN GANG, GREGORY V. CHOCKLER, TAL ANKER, ALEX KREMER, TOMAS WINKLER

 

 

 

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Tuesday 30th

Studio Reports III

 

10:00

CCRMA Studio Report

FERNANDO LOPEZ LEZCANO

10:20

CCM2 - College-Conservatory of Music Center for Computer Music, University of Cincinnati

MARA HELMUTH, MICHAEL BARNHART, CARLOS FERNANDES, CHEEKONG HO, BONNIE MIKSCH

10:40

Studio Report of Computer Music Research Group

NAOTOSHI OSAKA, KEIJI HIRATA, TAKAFUMI HIKICHI

11:00

Psyche: University of Tsukuba, Computer Music Project

RUMI HIRAGA, SHIGERU IGARASHI

 

 

Performance Systems and Interfaces II

 

12:00

A Stochastic Method of Tracking a Vocal Performer

LORIN GRUBB, ROGER B. DANNENBERG

12:30

Sounds in Hands - A Sound Modifier Using Datagloves and Twiddle Interface -

HIDEYUKI SAWADA, NAOYUKI ONOE, SHUJI HASHIMOTO

12:50

The Digital Baton: A Versatile Performance Instrument

TERESA MARRIN, JOSEPH PARADISO

13:10

The interactive multi-media computer system using SGI and NeXT/ISPW computers

OSAMU TAKASHIRO, TAKAYUKI RAI

13:30

Feel the Music: Narration in Touch and Sound

MAURA SILE O'MODHRAIN

13:50

NeXTSTEP Graphical Interfaces to Control Sound Processing and Spatialization Instruments.

TODOR TODOROFF, CAROLINE TRAUBE, JEAN-MARC LEDENT

 

 

Artificial Intelligence and Machine Recognition of Music

 

15:00

SaxEx : a Case-Based Reasoning system for generating expressive performances

JOSEP LLUIS ARCOS, RAMON LOPEZ DE MANTARAS, XAVIER SERRA

15:30

Robust Score-Performance Matching: Taking Advantage of Structural Information

PETER DESAIN, HENKJAN HONING, HANK HEIJINK

15:50

Recognition of Isolated Musical Patterns in the context of Greek Traditional Music using Dynamic Time Warping Techniques

AGGELOS PIKRAKIS, SERGIOS THEODORIDIS, DIMITRIS KAMAROTOS

16:10

A Machine Learning Approach to Musical Style Recognition

ROGER B. DANNENBERG, BELINDA THOM, DAVID WATSON