DEMOS SCHEDULE
The Demos will be presented in single track sessions in a special booth at the Exhibition Hall, which is at the first floor (one floor below the Conference Hall and Morning Concerts Hall) of the Conference Building (Pavillion 8, HELLEXPO). All Demos will be given a maximum of 1 hour for presentation and 1 hour for preparation and setup. The times given below refer to the starting time of each Demo. All authors should be present at the Demo booth one hour earlier to prepare and setup their equipment. (For example, if your Demo is scheduled for 23:00, you should be at the demo booth by 22:00. You are allowed to prepare and set up all the neccessary equipment within one hour from 22:00 to 23:00. At 23:00 you should start presenting your work and by 24:00 you should have finished in order for the next author to start preparing). The schedule is as follows:
Thursday 25th
Synthesis I
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12:00 |
Modelling Chinese Musical Instruments in Csound ANDREW HORNER, LYDIA AYERS |
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14:00 |
A physical piano model for music performance GIANPAOLO BORIN, DAVIDE ROCCHESSO, FRANCESCO SCALCON |
|
16:00 |
Flexible Sound Effects LONCE WYSE |
Friday 26th
Synthesis II
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11:00 |
Recent Work around Modalys and Modal Synthesis FRANCISCO IOVINO, RENE CAUSSE, RICHARD DUDAS |
|
13:00 |
Designing Synthetic Instruments: A Psychological Approach to Creating Time-varying Timbre, Interpolation, and Extrapolation GREGORY WAKEFIELD |
|
15:00 |
A Web interface for a sound database and processing system RAMON LOUREIRO, XAVIER SERRA |
Saturday 27th
Composition Systems
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11:00 |
An Object Oriented Visual Environment For Musical Composition GERARD ASSAYAG, CARLOS AGON, JOSHUA FINEBERG, PETER HANAPPE |
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13:00 |
Evolutionary Based Algorithmic Composition: A Demonstration of Recent Developments in GeNotator. KURT THYWISSEN |
|
15:00 |
Integrated Development Environment For Computer Music Composition JON DRUMMOND |
Sunday 28th
Real Time Synthesis and Control I
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11:00 |
A Continuous Music Keyboard Controlling Polyphonic Morphing Using Bandwidth-Enhanced Oscillators LIPPOLD HAKEN, KELLY FITZ, ED TELLMAN, PATRICK WOLFE, PAUL CHRISTENSEN |
|
13:00 |
A survey of agents based real-time interactive systems PETER BEYLS |
|
15:00 |
"CyberBand: A ""Hands-On"" Music Composition Program" JAMES WRIGHT, DANIEL V. OPPENHEIM, DAVID JAMESON, DON PAZEL, ROBERT M. FUHRER |
Monday 29th
Real Time Synthesis and Control II
|
11:00 |
New Musical Control Structures from Standard Gestural Controllers MATTHEW WRIGHT, DAVID WESSEL, ADRIAN FREED |
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13:00 |
Elody: a Java+MidiShare based Music Composition Environment YANN ORLAREY, DOMINIQUE FOBER, STEPHANE LETZ |
|
15:00 |
The 1997 Mathews' Radio Baton and Improvisation modes RICHARD BOULANGER, MAX MATHEWS |
Tuesday 30th
Real Time Synthesis and Control III
|
11:00 |
RTcmix -- Using CMIX in Real Time BRAD GARTON, DAVE TOPPER |
|
13:00 |
VIDI- A Voice Instrument Digital Interface of Byzantine Music DIONYSIOS V. POLITIS, IOANNIS A. TSOUKALAS, PANAGIOTIS LINARDIS, ALEXANDROS BAKALAKOS |