We also see this proposal as a first step towards realizing several other, longer-term (and much more ambitious) goals. If we enjoy the success we predict during the first several years of this proposal, we plan to use it as a solid foundation to launch an initiative to create a new Interactive Technologies Center at Columbia, involving a complete renovation of the Prentis Building and the 8th floor of Dodge Hall. Our vision is that this will become the touchstone locus of content and technology development in New York City (and indeed the world), with extensive ties to the media industry in New York and trailblazing involvement in data auralization and digital sound research. No such facility as we envision it presently exists -- the opportunity exists to give Columbia a significant comparative advantage in this area.
More immediately, we see this proposal as establishing a highly attractive context for new, target-of-opportunity interdisciplinary appointments and work. For example, we have been discussing with our colleagues in the Psychology Departments of Columbia and Barnard the possibility of pursuing a new appointment in music cognition. Such an appointment would bring an added dimension to our work, and would certainly help build valuable momentum towards the longer-term goals we have set. If our sense of growth in data auralization research is correct, we will be well-situated to attract additional talent to pursue extended research work with the Computer Science Department and Medical Center at Columbia.
We are also presently revamping our Music Performance Program, and many of the ideas we have put forth in this document can act synergistically to create a new kind of interactive/performance paradigm -- one that Columbia could pioneer. A large part of our grand, future dream is the construction of an experimental acoustic space (quite possibly at Prentis Hall) where this unfolding paradigm may be more completely explored.
These are only a few examples of what we can achieve. Ultimately, we are after the creation of a new type of "superlab"; a lab that is more an encompassing intellectual environment than a single physical facility -- an environment where interdisciplinary work is the norm, predicated upon the interweaving of creativity and technological expertise.
Again, the opportunity now exists to do this. We know that
we are requesting a substantial investment in this particular
opportunity. We are unable to gauge the cost in terms
of other activities taking place within Columbia because
we don't have a "big picture" view of those activities. What we
can do from our vantage point is provide an assessment of the
advantage gained through this investment. This can be framed
by answering the following two questions:
What are the benefits to the Music Department?
The answer to this question is straightforward: we will meet the
proposal
objectives.
However, it is important to recognize
that by building a context now to realize these objectives, we are
also establishing a mechanism to sustain the context into the
future. We are also ambitious; we seek to go beyond mere
sustainability to embrace a unique chance to play a fundamental
role in the evolution of content-based technology.
What are the benefits to the University?
We see three primary areas of benefit for Columbia:
It is difficult to refrain from excitement when imagining
the possibilities, however. We are living in a time of tremendous
transformation. Awareness of this fact gives us a strategic
ability to participate actively in how the transformation
is effected. It is indeed an unparalleled opportunity -- one
we should not let pass.