One consequence of this desire of mine in mozartakaoka is the entrance of the synthesizer notes in the middle. I felt that there should be some kind of shift in the music at that point, but I didn't want it to hit the listener over the head. I also thought of those notes as being an echo of Akira's love of Bach's music. How so? I used my Behringer Moog Model 35 synthesizer clone to make the sounds, very similar to the hardware that Wendy Carlos used to create "Switched-On Bach". And I used a suitably Carlos-like timbre.
Akira has been such a good friend! I wish I was able to do more for him. Perhaps this piece will help.
Piece website:
Brad Garton
October, 2026